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Crew transportation services built around the call sheet

Crews run on call sheets, not on convenience. We plan shuttles, talent vehicles and base camp moves around the call sheet and keep driver hours in view.

Updated

Black passenger vans at a film production basecamp beside equipment trucksIllustrative image

Quick answer

Crew transportation services move production crews, technical staff and talent between hotels, base camps, sets, venues and airports on a schedule driven by the daily call sheet. They suit shoots, live events and broadcast productions. Corporate Travel USA plans pickups from call times and coordinates delivery through owned operations or qualified local partners confirmed per market. Pricing is by proposal.

How it works

How crew transportation services work

Production schedules start earlier and end later than most corporate programs. A call time at 5:30 a.m. means crew pickups well before that, and wrap may land at midnight. Transportation has to work with that rhythm, and it has to adapt when the schedule shifts, which on production it often does.

The structure is usually three layers. A crew shuttle moves most of the team between the hotel, the base camp or parking lot, and the set. Talent and principals travel separately in smaller vehicles, often with a driver assigned to a person or small group. A flexible layer of vans and sedans handles runs, early departures and unplanned moves.

The call sheet is the controlling document. We plan from the call sheet and update the plan when a revised sheet arrives. Because a late wrap can leave drivers beyond their legal and safe working hours, the plan includes relief drivers or split shifts. Driver-hour rules vary by jurisdiction and operator, so we confirm them with the supplier per market. Our scope is passenger transportation, not equipment or set freight.

Crew transportation services: where they fit

Corporate video and commercial shoots

Crews and talent move from hotel to set across a few days. Small vans and an exec SUV for the principal are typical.

Live event and broadcast production

Load-in crews, technical staff and talent have different call times and venues. Separate shuttles serve each.

Concert and tour support

Crew and production staff move between hotel, venue and airport on a tour day schedule.

Studio and location base camp shuttles

Parking is far from set. A continuous shuttle moves crew from the parking area to base camp.

Wrap-day and travel-day moves

Crew departures and airport runs are timed to the wrap and the flight schedule.

What we plan for in crew transportation services

The vehicle is the easy part. These are the operational details that decide whether the program runs on time.

  1. 01

    Call sheet integration

    We take the daily call sheet and map every pickup to the earliest call time. Revised sheets trigger a revised plan.

  2. 02

    Driver hours and relief

    Early calls and late wraps create long driver days. We plan relief drivers or split shifts, with the specifics confirmed by the supplier.

  3. 03

    Base camp and parking

    Base camps often have limited or restricted access. We obtain location notes and permits information and brief drivers accordingly.

  4. 04

    Talent vehicles

    Talent or principal vehicles are kept separate and usually tied to named drivers. Privacy and access requirements are handled by instruction.

  5. 05

    Schedule changes

    Shoots slip. We agree how and when changes are communicated and what a day-of change costs.

How are call times turned into pickup schedules?

Call times are turned into pickup schedules by working backwards from the call: subtract the walk or shuttle from the drop point to set or base camp, the drive with a margin for traffic, and loading time at the hotel. The result is the latest pickup, and the schedule groups crew by department and call time.

Departments with earlier calls, such as hair, makeup and wardrobe or rigging, get their own earlier runs, and talent pickups are timed separately. When a revised call sheet arrives, the dispatcher reissues the pickup list and confirms it with each driver.

Illustrative back-timing for a 6:00 a.m. general crew call (example values only)
StepTime allowedClock time
Crew call at base campNone6:00
Drop at crew parking, then walk or shuttle to base camp10 minutes5:50
Leave the hotel (drive including traffic margin)35 minutes5:15
Crew at the hotel pickup point (loading)10 minutes5:05

Related:Multi-day eventsSprinter vans

Film crew transportation: how are company moves between locations handled?

A company move, when the whole unit relocates to a new location during the day, is handled as a planned wave: crew vans are staged before the last shot at the first location, the route and parking at the second location are confirmed in advance, and talent moves in separate vehicles.

The risk is timing. Moves rarely start at the scheduled minute, so drivers wait on standby near the first location and the dispatcher releases them on the call of whoever your production designates, not on a fixed clock time. Crew parking at the new location is often some distance from set and may need its own shuttle for the first hour.

  • The order of departures by department
  • The route, and an alternate
  • Crew parking and base camp at the new location
  • Who calls the move, and how drivers are told
  • How talent and principals travel

Related:Entertainment and mediaDedicated chauffeur service

Studio transportation and long production days

Studio transportation covers runs between hotels, airports and studio lots, where gate lists, drive-on passes and the distance from stages to parking set the rules. Long production days add a second constraint: the drivers' own hours.

Under FMCSA hours-of-service rules for passenger-carrying vehicles, a driver may drive at most 10 hours after 8 consecutive hours off duty and may not drive after 15 hours on duty. A long shoot day with an early call and a late wrap can exceed what one driver may legally cover, so the plan uses split shifts or relief drivers for wrap runs. FMCSA also tells planners never to ask a driver to make up lost time; when the schedule slips, the answer is another vehicle or driver.

If your production has a transportation coordinator or works under agreements that set who may drive, we plan within those rules. Tell us at the outset.

Related:Transportation standardsEntertainment and media

How a crew transportation engagement works

  1. 1

    Schedule and locations

    You send the shooting schedule, call sheets, locations and base camp information.

  2. 2

    Crew and talent plan

    We propose shuttle runs, talent vehicles, driver plan and reserve.

  3. 3

    Daily sheet update

    Each day's call sheet updates the plan, and the dispatcher confirms with drivers.

  4. 4

    Run and wrap

    A dispatcher follows the day and adjusts when schedules move or wrap runs long.

Crew transportation services: procurement and billing

  • Pricing by proposal; early-call and late-wrap hours are scoped explicitly
  • Production codes and cost reports can be scoped as a program option
  • Insurance certificates on request for production insurers
  • Confidentiality of talent movements is handled per instruction

Crew transportation services FAQs

Do you move equipment?

No. We provide passenger transportation. Equipment and set freight are outside our scope and are handled by production logistics providers.

Can you work with changing call times?

Yes, within the limits of driver hours and vehicle availability. We agree how late changes are communicated and what they may cost.

How much do crew transportation services cost?

The main drivers are vehicle hours across early calls and late wraps, the number of drivers needed to stay within hours-of-service limits, standby for company moves, talent vehicles and the number of shoot days. We price by proposal.

Can a driver stay with talent for the whole day?

Yes, a dedicated vehicle and driver can be scoped for a person or small group, within driver-hour limits. On long days a relief driver may take over the evening.

Can drivers sign NDAs?

Possibly, subject to supplier agreement in the market. Raise it at the proposal stage.

How does this differ from entertainment-industry accounts?

This page covers event and production crew moves. For ongoing studio or media company programs, see our entertainment and media industry page.

Sources and references

  1. Summary of Hours of Service Regulations, Federal Motor Carrier Safety Administration (FMCSA)
  2. Safety Tips (Travel Planners), Federal Motor Carrier Safety Administration (FMCSA)

Next step

Request an event transportation proposal

Tell us about the event, the movements and the passenger count. We will reply with a proposal for review.

We do not publish a response-time promise until it is operationally confirmed. Time-sensitive request? Say so in the notes.

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